The above video presents "a dense yet concise study ( experience) of the intricate poetic-cinematic patterning of Andrea Arnold’s 2009 film as it is disclosed in a few fleeting shots from the film that I explore in relation to psychoanalyst-theorist Wilfred Bion's understanding of the “Container-Contained” (a theorization of the idea that we need the minds and bodies of others to contain our deep existential fears, from the very moment of our birth onwards, in order to properly develop our own emotional and cognitive capacities)." [Catherine Grant]
The above video essay of mine on has just been published as part of my article:
- “Beyond tautology? Audiovisual Film Criticism”, Film Criticism, Vol. 40, No.1, 2016. Online at: http://hdl.handle.net/2027/spo.13761232.0040.113
This video originally formed part of my presentation at the 7th Annual Contemporary Directors Symposium: On Andrea Arnold at BFI Southbank, London, 13th MAY 2014 - NFT3: 1.00pm-5.00pm.
From the Oscar-winning short WASP (2003) to the innovative adaptation WUTHERING HEIGHTS (2011), Andrea Arnold’s films have established her as one of our most uncompromising and important directors. The Contemporary Directors Symposium [returned] to the BFI Southbank for an afternoon of presentations and discussion exploring Arnold’s films, including WASP, RED ROAD (2006), FISH TANK (2009) and WUTHERING HEIGHTS.
Catherine Grant (University of Sussex)
Amber Jacobs (Birkbeck College, University of London)
Michael Lawrence (University of Sussex)
Jonny Murray (Edinburgh College of Art)
Sue Thornham (University of Sussex)
A full list of my 2012-1016 publications on audiovisual film studies [videos and texts], with links to all the material, is being maintained here: http://filmanalytical.blogspot.com/2016/01/interplay-audiovisual-or-videographic.html