filmanalytical

by Catherine Grant

Monday, 30 July 2012

Extra! Extra! Two Video Essays with Added Audio Commentaries

Skipping ROPE with AUDIO COMMENTARY by Catherine Grant.
A remix of the video Skipping ROPE (Through Hitchcock's Joins).

This video was made for ‘Bonus Tracks: The Making of Touching the Film Object and Skipping ROPE (Through Hitchcock’s Joins)’ [Appendix/Transcription], part of the inaugural issue of Frames Cinema Journal on 'Film and Moving Images Studies Re-Born Digital?'
 
Touching The Film Object with AUDIO COMMENTARY by Catherine Grant.
A remix of the video collage TOUCHING THE FILM OBJECT [vimeo.com/28201216]

This video was made for ‘Bonus Tracks: The Making of Touching the Film Object and Skipping ROPE (Through Hitchcock’s Joins)’ [Appendix/Transcription], part of the inaugural issue of Frames Cinema Journal on 'Film and Moving Images Studies Re-Born Digital?'
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Filmanalytical film studies

  • THE PERSISTENCE OF VISION: A Tribute to the Work of Elizabeth Cowie
  • Interplay: Audiovisual Or Videographic Film Studies Research Publications by Catherine Grant, 2012-2015
  • UN/CONTAINED: A Video Essay on Andrea Arnold's FISH TANK (2009)
  • THEORY OF RELATIVITY, THE MARRIAGES OF LAUREL DALLAS, WOMEN'S WASHROOM, and RITES OF PASSAGE
  • Uncanny Fusion: Journey to Mixed-up Files
  • INTERSECTION[S]: On Wong Kar wai's IN THE MOOD FOR LOVE
  • Mechanised Flights: Memories of HEIDI and Shirley Temple (1928-2014)
  • "Some New Eloquence"? On the written word in audiovisual film studies practice
  • Un[Contained]? On Todd Haynes's [SAFE]
  • Cinemagogic Echoes? Len Lye's FREE RADICALS (1958) and Fernando Solanas and Octavio Getino's HOUR OF THE FURNACES (1968)
  • TOUCHING THE FILM OBJECT?
  • Refashioning the Femme Fatale? GILDA in Motion
  • Framing Incandescence: Elizabeth Taylor in JANE EYRE
  • On Claude Chabrol's Les Bonnes femmes
  • Mashup #1: Peeping Tom and Code Unknown
  • Establishing Split: On Darren Aronofsky's Requiem for a Dream

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Inspirational grit (for reading in oyster shells)

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Fair Use and Fair Dealing

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